Chapter One Hundred Seventy Five

The entire crew knows that Tao Mu is very good at leading people. It may be a bit exaggerated to describe it in minutes. But as long as the acting skills are on the level line, and you have carefully prepared before the filming, then when you play against Tao Mu, your emotions are indeed more susceptible to catalysis.

However, the king can't take the bronze with it. With Shen Yu's current acting skills, even if Tao Mu wants to take it, it depends on Shen Yu himself. After all, Tao Mu is just an actor, not a kangaroo.

What's more, even though Shen Yu wanted Tao Mu to take him into the play, there was only one match left for the two opponents-the chaos at the dock in the finale of the film.

Yan Sheng's undercover identity was exposed, and he led the police to the dock to encircle the gangster who wanted to abscond to Southeast Asia. During the gunfight, Yan Yu helped Zhou Yuanting to block his gun. After leaving a last word, Zhou Yuanting abandoned his body and left with the gangster.

Of course, in the mainland version, because Zhong Ju was dissatisfied with the death of the positive character, the evil forces finally managed to get away with the ending, and the crew added another scene in which the gangster and Zhou Yuanting who wanted to abscond ended up staggering and going to jail. However, Director Xu believes that this change does not conform to the theme of the script and the profound meaning of the film, and he always disagrees with this change. The two sides are deadlocked. It was not until a year later that the crew did not compromise.

However, pirated DVDs of "Black and White" have flooded the mainland. Eventually, after the film was released in the mainland, the box office did not exceed 10 million.

This is also an important reason why Tao Mu politely declined when Director Xu invited Tao Mu to join the team.

pier

A lot of classic sceneries that will appear in Xiangcheng gangster movies, the prop group and the lighting camera are busy arranging the set.

Tao Mu and several other big coffees sat in the dressing room, waiting for the show while putting on makeup.

Because it's going to be a filming scene, and it's the climax/trend scene of the finale, everyone's looks are particularly cool. The gangsters have all black suits and black shirts, and the police have all the Flying Tigers special uniforms.

As one of the protagonists in this scene, Zhou Yuanting used a Ge/Luo/G 17 hand/gun. The caliber is 9 mm. The main features of this gun are the extensive use of plastic parts, small mass, reliable mechanism action, and large ammunition capacity.

However, there is basically no need to consider this issue when shooting a movie. As we all know, in general shooting a gunfight movie, even if the protagonist is holding a hand/gun that can only hold six bullets. As long as the plot requires, there will always be bullets in the protagonist’s gun.

Those who don't have bullets in the gun can only be supporting actors.

Take Tao Mu, for example. When he was shooting the shootout scene, there were many shots of changing magazines with one hand. Because Tao Mu had been trained at the police academy for several months before, Tao Mu's movements were very skilled and standard. Unlike the SWAT instructors who have been invited by the crew with rich actual combat experience, Tao Mu also considers the camera angle and character temperament when doing actions. When he was training at the police academy, he designed a lot of tactical moves for Zhou Yuanting based on the plot. After several months of silent training, now in front of the camera, it is simply not too handsome.

To use Fang Yinghou's ridicule of Tao Mu's words, that is, President Tao's playing handsome is definitely a professional level. So that during the filming interval, even Zhou Yanqing and several other big coffees couldn't help but come over and ask Tao Mu for advice on changing magazines and poses.

The filming location chosen by the crew was an abandoned dock. Considering that this shootout is the last climax/trend part of the entire film, the scene is very grand, involving more than 200 actors, and the scene scheduling is very complicated. So Director Xu decided to shoot in several parts. First shoot the literary drama, then shoot the close-up part of the single-player combat shots, and finally shoot the group drama part.

Because it was shooting on location, it took more than an hour for lighting and radio.

Director Xu learned the lessons from the past and finished the shots of Zhou Yanqing, Yan Sheng, Wang Jinsheng, Fang Ruoti and several other actors. It was not until the end that the filming of Tao Mu's rivalry with Shen Yu began.

After the police and the Flying Tigers entered the dock, Yan Yu frantically searched for Zhou Yuanting, and finally found Zhou Yuanting behind a container. A scene where the two confronted each other with guns.

"A Ting!"

Zhou Yuanting turned his head and pointed his gun at Yan Yu. Tao Mu's movements were very standard. He raised his finger to Shen Yu's eyebrows, his arm was straight and motionless, his fingers resting on the trigger.

Shen Yu did the same with him. It's just that Shen Yu's physical stamina is not good. He is holding the gun with both hands and his arms are still dangling. Subconsciously, there is still a little hunchback, and his manners are very bad. The most important thing is that Shen Yu's finger also hooked into the trigger, not knowing whether it was because of nervousness or other reasons.

Tao Mu frowned when he noticed this scene.

"Cut!" Director Xu stretched his head from behind the monitor and asked Tao Mu: "What's wrong?"

"The posture is wrong." Tao Mu took a pistol and took advantage of it. The action is simply and neat. Ah definitely got used to being handsome on the set.

"You have to stretch your index finger to the side of the trigger guard, and keep the muzzle down. Because in the script setting, Yan Yu didn't want to kill Zhou Yuanting." When they were training at the police school, the instructor repeatedly asked They, before firing, must not put their fingers into the trigger guard.

Since Yan Yu didn't want to shoot at Zhou Yuanting and was a regular policeman, he would naturally not make such a mistake.

Don't think that small details don't matter, Tao Mu likes to use various details to reflect the characters' hearts when interpreting characters. Especially this kind of micro movement. And the advantage of this small design is that it also allows the audience to have a more intuitive understanding of the inner character of the characters when watching the movie. The most important thing is that it has nothing to do with the actor's acting skills-it does not test the acting skills, only needs to experience the role with heart. To a certain extent, it is a particularly slick and careful thought.

If the acting skills are not enough, you can use such small details to get together. Try to avoid close-ups of the face.

When Tao Mu got the script and designed the biography of Zhou Yuanting, he proposed to use fighting skills to reflect the changes in the character's inner level. Let Xu Dao be greatly inspired. But at that time Tao Mu was trying to portray Zhou Yuanting's character more deeply and three-dimensionally.

Now Tao Mu designs movements for Shen Yu. Although there are some suspicions of being acting on behalf of others, everyone knows that Tao Mu really dislikes Shen Yu's poor acting skills and drags down the crew. This kind of proposal is definitely to take advantage of strengths and avoid weakness.

Shen Yu said with a sullen expression, and couldn't help but argue: "But this scene is going to be a pier gunfight. If I don't hook my finger in, doesn't it also fit the background?"

Tao Mu stopped talking. Suggest that he was given. Shen Yu's reluctance to listen is his own problem.

Seeing Tao Mu ignored herself, Shen Yu couldn't help feeling a little embarrassed. He asked eagerly: "Are you angry? Because I didn't listen to your suggestions? I just think that my ideas make sense."

Director Xu frowned and played back the scene twice. He fixed his gaze on Shen Yu's face close-up, pondered for a moment, and said, "Shen Yu did what Tao Mu said."

Obviously, instead of taking close-ups of Shen Yu's face, he would rather clap his hands. At least it can vividly highlight Yan Yu's mood at this moment.

In one shot, two gun-holding hands are facing each other. One hooked the trigger, the other didn't. The visual conflict and the inner conflict of the characters came out.

Shen Yu pursed his lips, a little unwilling. Recently, he has indeed rehearsed well. I played the scene every night until late at night, and I felt very improved. However, the director and the rest of the crew would rather believe in Tao Mu.

Even when Big Brother Yan was playing against the scene, he kept telling him that he didn't need to think too much when filming the last scene, just follow Tao Mu.

Tao Mu would not leave him alone, even for the lens effect.

Shen Yu was still worried about Tao Mu's refusing to take him when he was filming, and was always in fear. I am afraid that I will not behave well. But now Tao Mu really took him, and Shen Yu was a bit unwilling. He thought of the rumors in the crew that Tao Mu would especially bring people into the play. I was always worried that if he performed well in this scene, others would put all the credit on Tao Mu, thus obliterating his own efforts.

Shen Yu pursed her lips, feeling a little aggrieved inexplicably.

However, on the opposite side, Tao Mu was taken care of. He adjusted his emotions for a while, waited for Chang Ji to call "action", and immediately raised his gun at him.

Because there was a trace of hesitation and dissatisfaction in his heart, Shen Yu's movements were half a beat slower than Tao Mu. Put it in the monitor, it is the sloppy sloppy and muddy water visible to the naked eye.

"Cut!" Director Xu yelled unhappily, not knowing what stinky trouble Shen Yu had committed.

"Focus on filming." Director Xu exhorted, and did it again.

This time Shen Yu had no problems. However, his movements were soft, and the amplitude was too great when he lifted and grabbed. After he lifted up, he adjusted the angle a little bit before pointing to Tao Mu's brow. There is always a slight sway in the arm. Because the sun was too hot, he blinked subconsciously.

Compared with Tao Muping's straight-forward and resolute gun-raising action, it was obviously a big difference. It can only bring out that Zhou Yuanting was from a police academy.

Dao Xu frowned, and perfectionism broke out again.

Next, Tao Muguang spent more than half an hour with Shen Yu in the action of raising his gun. Fortunately, when Tao Mu was training at the police academy, he was very fresh. When practicing raising the gun, just like the best academic police, a brick was hung from the muzzle. So even if half an hour has passed, Tao Mu's gun movement is still standard.

But Shen Yu couldn't do it. It's already shaky. The range is particularly large.

Director Xu could only call "cut" and let everyone rest for ten minutes.

The makeup artist immediately stepped forward to fix Tao Mu's makeup. The hot weather, the scorching sun. Although Tao Mu's movements are standard, his makeup is also spent.

Director Xu looked at Shen Yu whose arms were so sore that he trembled, and regretfully complained to Teacher Wu Zhi who was sitting next to him: "Why didn't I agree with Shen Yu's use of a substitute in the first place!"

It's just having trouble with myself and the crew.

Teacher Wu Zhi sat on the pony and laughed. Muttered a few words quietly in Xu Dao's ear.

After ten minutes, shooting continued.

This time, Director Xu, especially the chicken thief, asked the photographer to find the correct angle and directly clap the close-up of his hands. He also asked the prop artist to hang Wei Ya for a pose for Shen Yu. This shot has finally passed. And it was quite successful.

Director Xu happily yelled "Okay", and resolutely did not yell "one more", but tilted his head out of the monitor, and said to Tao Mu: "Come on, Tingzai, next is yours. Time to be handsome."

"Don't be polite to me!"

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