Chapter Two Hundred and Thirty Two

The more Xu Musen thought about it, the more he felt that this was a good idea.

First of all, the reason why the crew of "Black and White" decided Tao Mu to play the role of Zhou Yuanting. The biggest reason is that he valued Tao Mu's propaganda channels. In other words, the publicity strategy of the movie "Black and White" in the Mainland depends to a large extent on Feixun.com. Secondly, "The Great Wall of Flesh", produced by Tao Mu, just hit the limelight at the Lingxiao Awards ceremony. The honeymoon period with the organizer has not passed yet. If Tao Mu can come forward to communicate the review of the "Black and White" film in the mainland, I believe that the gang of optoelectronics will definitely not have the current attitude.

The most important point is Tao Mu's supervising ability. It can accurately get the so-called "politics/government/correctness/accuracy" required by the mainland, while also taking into account the ratings. This just happens to be how Xiangcheng's producer can't do it.

In fact, Xu Musen strongly opposes the rectification requirements of Optoelectronics. The big reason is that he doesn't know how to change the script at all. He didn't know what the "political/government correctness" required by Optoelectronics really meant. And this happened to be what Tao Mu was best at.

Although Tao Mu has not produced a movie before, Tao Mu's previous filming "The Great Wall of Flesh" and "The King of Soldiers" are the main themes of military dramas. Xu Musen is also in a hurry to go to the doctor, and can only seize Tao Mu, the life-saving straw.

"...The premiere of "Black and White" in Xiangcheng is scheduled for Christmas Eve. The release time is about one month to forty days. Our original plan was to release it on the mainland during the Spring Festival in February after the theater was released. But now that the optoelectronic review fails, we can’t talk about the schedule with the mainland theaters. If we drag it down, I’m afraid we won’t be able to grab the Lunar New Year’s files."

In fact, it is a bit late to talk about the Spring Festival schedule now. If it weren't for the "Black and White" crew that has gathered too many big names from both sides of the strait, everyone would be a box office guarantee. The theater distributors simply don't bother to discuss the schedule with the "Black and White" crew. Even so, the mainland theaters also gave the "Black and White" production team an ultimatum. By December 24 at the latest, that is, before the premiere of "Black and White" in Xiangcheng, if the crew of "Black and White" still cannot pass the photoelectric review, the mainland cinema will hand over the Spring Festival schedule in February to others. The movie is out.

"The twenty-fourth?" Tao Mu was shocked for an instant: "It's the thirteenth today, okay?"

"So!" Xu Musen was anxious and almost grayed out his hair: "I also know that time is tight. But we have no way. Who knows how to change the script to satisfy the masters? Besides, even if the script is changed, we are here. It takes time to re-shoot and edit. How can it be impossible to get it done in ten days?"

In fact, according to the efficiency of Xiangcheng's filmmaking, it is too late to change the script and film again within ten days. However, Xu Musen has always had some literary and artistic workers' thoughts, thinking that he is a professional who can make movies. "Black and White" directed by him is a very complete and solid character arc in terms of film connotation and character depth. One cannot simply use the one-sided terms such as "decent" or "villain" to describe and define.

The protagonist can do bad things out of plot needs. According to the role of the villain, of course, they can be better. Therefore, in Xu Musen's view, the "politics/governance/correctness/accuracy" required by Optoelectronics for "villains must surrender" is simply inexplicable. It's something that only laymen can say.

So Xu Musen complained a lot in front of Tao Mu, saying that this is too late and that one cannot keep up. In fact, most of them are excuses. To put it bluntly, Xu Musen just didn't want to bow his head in front of Optoelectronics. Of course, if this one is carefully broken, I am afraid it will also involve the issue of the Xiangcheng filmmakers and the mainland filmmakers. Going on the guideline a bit more, that is, whether "art serves politics/governance" or "art has nothing to do with politics" is a tacit contest between everyone.

However, it turns out that the Xiangcheng filmmakers are definitely not able to use photoelectricity in such things as wrist-wrestling. The fiercer the resistance, the longer the stalemate, and the final loser is the crew of "Black and White". This is how supply and demand determine everything-"Black and White" needs the mainland market to contribute to the box office, but the mainland market does not lack a movie like "Black and White" to fill in the files.

Without Zhang Butcher, I still don't eat pigs with fur. This is the confidence that Optoelectronics dared to get stuck in "Black and White".

It's a pity that Xu Musen understood it too late. The relationship between the two sides is now very rigid. If there is no competent person to mediate, I am afraid that even if the Xiangcheng producer lowers his head to remake the movie, the optoelectronics side will not pass the review happily. By then, I am afraid that, as Tao Mu said, "Black and White" will miss the best schedule for release in the Mainland. In the end, only the producer of "Black and White" will suffer.

With this in mind, Xu Musen must enlist Tao Mu's help.

With the memory of the previous life, Tao Mu also knows that the crew of "Black and White" has been playing with the photoelectric for a year, but in the end he couldn't bear to lower his head to admit his mistakes and change the script. In the end, because of missing the best schedule, the painful experience of only getting 8 million box office after the release.

At that time, Tao Mu was suppressed by Shen Yu's admirers, and in the entertainment circle it was basically a rat crossing the street. And because Xu Musen supported Shen Yu's decision to win the Golden Crow Award for Best Newcomer Award, his relationship with the "Black and White" crew was not good. Knowing this incident, it was too late to gloat, and of course it would not be a pity.

But the standpoint of this life has changed, and the angle of looking at things will naturally change. Tao Mu really felt that it would be a pity if "Black and White" could not be released in the mainland.

But the matter of changing the script-Tao Mu is not a professional screenwriter, of course he will not change the script. After thinking about it, I can only make amendments based on the many film reviews I have seen in my previous life, combined with my own ideas.

Speaking of it, the revised mainland rescreening version of "Black and White" in the previous life is really weird. I don't know what Xu Musen thought, and actually asked the screenwriter to change Zhou Yuanting to White Lotus-in accordance with the requirements of Optoelectronics, the villain must defy the law. Therefore, the revised script of Xu Musen turned out to be that Zhou Yuanting actually found out in his conscience after seeing Yan Yu blocking the gun for him, and took the initiative to surrender to the police. He also volunteered to become a double agent for the police, and smashed the gang boss. The last two went to jail.

It is conceivable that when Tao Mu of the previous life received the adapted script, his inner feeling was more than a "fuck" that could describe it. It was simply tens of millions of "grass mud horses" whizzing past his heart. Not to mention that Zhou Yuanting and the gang boss had collapsed, and the idea of ​​the entire script was simply untenable. Compared with the ending of the Xiangcheng classic version, the modified version of the mainland can only be described as "dog tail continued mink".

After the mainland version was reviewed and released, diehard fans who had seen the pirated "Black and White" bought tickets into the movie theater, and after watching it, they could only swear. I think that the remastered version of "Black and White" in the Mainland is simply flying down three thousand feet, and the final result is like a diabetes collapse. There are more and more netizens who post comments on the Internet and complain about it. The "Black and White" crew took advantage of the trend to push this scapegoat to Optoelectronics. In fact, it's not a scapegoat. After all, the "Black and White" crew did modify the script according to the requirements of Optoelectronics. Optoelectronics finally passed the audit. To review a classic work into a shoddy comedy story, this pot does not have to be memorized.

But Optoelectronics doesn't want to go back. And think that the "Black and White" production team is absolutely deliberate. The two works deliberately created such a huge difference in art have prevented Optoelectronics from coming to Taiwan. This is definitely a manifestation of rebellious bones in the back of the head and failure to stand upright after being beaten.

So for a long time, Optoelectronics looked at Xu Musen not pleasing to the eye. However, all films directed by Xu Musen are difficult to pass when they are reviewed in the Mainland. And even if it is difficult to pass the audit, it will not be a good time for scheduling. This situation has continued for several years. Until the mainland film market developed, the Xiangcheng film market was completely in decline.

To be honest, part of the reason why Xu Musen changed the remastered script to be like that was indeed because of his anger. I want the masters of Optoelectronics to see what the script modified in accordance with their review requirements is. I want to slap my face secretly. But other than that, Xu Musen simply doesn't understand the optoelectronics' routines, or how the so-called politics/governance/correction/reality is the root cause.

You let a Xiangcheng screenwriter who grew up in Xiangcheng and studied in Xiangcheng to modify a classic work that echoes the main theme of the mainland. This difficulty is much greater than the difficulty for the Xiangcheng screenwriter to create a classic work. Up.

So Xu Musen is suffocating badly, and he really doesn't understand if he doesn't understand. What happened in the end can't be blamed on Xu Musen and the screenwriter.

But Tao Mu is different. In his past and present life, Tao Mu has seen so many classic works that echo the main theme. To put it in an old saying, even if you have never seen a pig run, you have eaten pork. After personally supervising a drama with the main theme of the War of Resistance Against Japan, and following the professional screenwriter team to enrich the script of a military drama with the main theme, Tao Mu has a little eyebrow about how to modify the script of "Black and White".

Out of the consideration of the integrity of the script and the profundity of the role, Tao Mu felt that even if the villain was to let the villain surrender in the end, it definitely couldn't be a difficult change like "being influenced". However, we can make a fuss about the actor played by Yan Sheng and the details of Zhou Yuanting's sleep with the eldest mistress in the script.

"Can we make changes like this..." Tao Mu was silent for a moment, stroking his thoughts, and slowly said: "After Yan Cheng learned that Zhou Yuanting was darkened, he deliberately put Zhou Yuanting to sleep in order to provoke Zhou Yuanting's relationship with the boss. The sister-in-law's news was revealed. The big man was very grudged with Zhou Yuanting, but he relied on Zhou Yuanting's abilities, so he did not move. But he planned to put all the charges on Zhou Yuanting's head when he flees. Let Zhou Yuanting be the dead ghost. Zhou Yuanting noticed the big deal ahead of time. The guy’s calculations were not exposed. Instead, he planned to kill the big guy. The snipe and clam quarreled, and the police fisherman led by Yan Sheng profited. The two villains were wiped out in one fell swoop."

Tao Mu paused and said, "I'm not a professional screenwriter. Just give me some ideas. How to change it, I still have to listen to the screenwriter's opinions. If Director Xu is not at ease, I can also ask people from my screenwriting team. Let’s take a look. It’s the screenwriter who modified the script of "The Great Wall of Flesh". Although the anti-Japanese drama is not the same as the police drama, some core aspects should be common. You can sit down and discuss it slowly."

As long as he discusses an eyebrow, he can take the revised script and go to Optoelectronics for review first. Waiting for the photoelectric clap, the "Black and White" crew can immediately prepare for shooting. You can also make a time difference and negotiate with the mainland theaters with the attitude of optoelectronics, and finalize the schedule first.

Xu Musen was anxious and angry when he was caught by the photoelectric card, and he really didn't have a clue. Hearing Tao Mu's thoughtful suggestions, he was immediately overjoyed. He didn't take advantage of Tao Mu, and said directly: "I listen to you. Come to Xiangcheng as soon as possible, we will first finalize the division of your movie production in the Mainland. The rest will be handled by you."

Tao Mu said: "These are all easy to handle. But one thing, when we hand over the script with Optoelectronics, we have to save a meal..."

Tao Mu didn't say anything further, but Xu Musen understood. Immediately interface: "Should I show off alcohol to make amends, right? Hey!"

Xu Musen sighed and laughed at himself: "Don’t tell me, my brother, I’m really exhausted now. As long as the review issue can be resolved as soon as possible, so that "Black and White" can be released in mainland China as scheduled. Don’t say it’s asking me to show off alcohol, just I am willing to drink until I vomit blood in my stomach."

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Crab little angel threw a mine (づ ̄3 ̄)づ╭?~

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