American fame and fortune

Chapter 378 The Instigator Nolan

"I asked someone specifically, what does the crew say?"

On the car heading to the Gray Film and Television Center, Nicholson had a strange expression on his face, and said to Leonardo next to him: "There are so many things going on, so exciting!"

Leonardo has a deep understanding of this: "How can Martin's crew be quiet? But then again, only trouble can generate news."

Nicholson said: "I don't know who will go crazy first, Martin or Bell."

Leonardo disagrees: "You think that bastard is going crazy?"

The car arrived at the main entrance of the Gray Film and Television Production Center. Nolan and Emma Thomas had already released the news that Nicholson would come to visit the crew. At this moment, there were not only local media reporters from Atlanta, but also many reporters from entertainment media distributed across the United States. .

As soon as Nicholson got out of the car, these people surrounded him.

"Jack, are you coming to see Martin?"

"You made up with Martin?"

"Or are you going to settle accounts with Martin face to face?\

,"Nicholson wore sunglasses, put his hands in his pockets, and said, "I came here because of the invitation of Warner and DC. I think there is something wrong with the new clown, so they asked me for help."

The reporter from "Vanity Fair" responded super fast: "You still think Martin Davis is not up to the role?"

Nicholson snorted coldly, looking too lazy to answer such idiotic questions.

On-set security came and separated the reporters, allowing Nicholson and Leonardo to enter the gate.

Someone greeted them at the door and took them to the studio where the Dark Knight crew was located.

The crew had just finished filming Batman and Butler Alfred, and Nicholson didn't see Martin's Joker.

Taking advantage of the shooting gap, DC director Orlin led Nicholson and Leonardo to find director Nolan.

Nolan shook hands with the two and said to Leonardo, "I thought about inviting you to play Double-Face, but the invitation I sent didn't get a response."

Leonardo didn't care much about the British director's thoughts, and said directly: "Because superhero movies are not among the ranks I consider."

Nolan was not embarrassed either, and smiled: "It seems that I took the liberty."

Nicholson looked around and asked, "Why didn't you see Martin?"

"Martin was deeply involved in the play. After the performance in the morning, he went back to rest." What Nolan said later was the truth, but the truth may have ulterior motives: "His performance is amazing. I always feel that the clown lives in the In this crew."

Nicholson frowned: "It's so good."

Nolan continued to stimulate people: "Martin is the clown I want."

Nicholson raised the corners of his mouth, as if he didn't believe it.

Nolan is very casual: "You will know when you watch Martin's performance."

Nicholson nodded: "I will appreciate it."

Leonardo stood aside, looking at the two people like a melon-eating crowd, listening to what they said.

Martin is not the only interesting person in this crew!

No wonder when talking on the phone with Martin, he said that the crew is very fun, and the director is just playing tricks, can it not be fun?

Nolan still had to work, so after chatting for a while, he returned to the director's monitor.

However, Nicholson noticed that someone next to him was remembering something and asked, "What do you do?"

The screenwriter quickly said: "I'm a screenwriter, responsible for recording the real tidbits of the crew."

Orlin took over the words: "This is a new set work method adopted by director Nolan. It allows the screenwriter to faithfully record the interesting things that happened on the set and during the shooting, which is conducive to publicity in the later stage."

Nicholson was familiar with people in DC, and asked bluntly, "Can I take a look?"

The script was written by Nolan on purpose. Even if Nicholson didn't ask, Orlin would let him see the real record of the tidbits about Martin: "No problem."

Nicholson took the sideshow script from the screenwriter and read it carefully. The most recent one was that in yesterday's filming, Martin saved a big explosion scene by the crew with a brilliant impromptu performance.

Looking further up, Martin's performance is too realistic, which leads to grievances between the characters and affects the relationship between the two protagonists in reality.

There is also Martin's crazy performance on the set, which made Maggie Gyllenshire, who was acting with him for the first time, too scared to speak or look at him, and made the old British actor Michael Caine so scared that he forgot his words.

Many actors even said that when Martin was on the set, laughing madly, the powerful aura of reckless behavior seemed to be a real clown in front of them.

Still poker-faced, Nicholson handed the script back to the writers, and stood there, watching yet another scene with Bale and Michael Caine, before heading out of the studio.

When he came to a place where no one was around, Leonardo couldn't help it anymore, and laughed: "This crew is so interesting!"

Nicholson nodded: "Sure enough, where there is Martin, there are fun things to do."

Leonardo specifically reminded: "The director seems to be praising Martin, but he actually wants to provoke the relationship between you and Martin."

Nicholson also noticed it, and had experienced the first stage of the verbal battle with Martin, so he speculated: "Maybe he wants to let Martin and I continue the verbal battle, so that we can continue to make a fuss about the film's publicity and hype."

Leonardo praised: "This director has something, and Martin is a perfect match."

"The screenwriter and the script must have been intentionally made for me to read." Nicholson had spent his entire life in Hollywood, and when it came to brains, the three Marlon Brandos combined couldn't compare.

He hit the nail on the head: "The Martin in the script is full of good words about outstanding acting skills, deep involvement in the drama, and scary characters. It is estimated that the core of the publicity of the actors in this crew is on Martin."

Leonardo said: "Martin is so capable of doing things, and there will be news if he does it casually."

In the distance, the door of a make-up trailer opens, and an actor with painted faces descends from it.

The man's head and neck were leaning forward, a blood-red mouth was split open on his face covered with white oil paint, and he swayed as he walked.

A few young actresses approached, and this person grinned, and the people who were talking and laughing instantly fell silent, hiding away like they encountered a perverted murderer.

It is impossible for the members of the bastard trio to mistake their own members. Despite the drastic change in appearance and temperament, Leonardo still recognized Martin and said, "It seems to be completely different from your clown."

Nicholson looked over there: "If he acts in my style, I will make him doubt life."

Watching Martin enter the studio from afar, he greeted, "I guess there is a play by him, let's go and see it."

The studio door was open, which meant that the crew was not currently filming. Leonardo and Nicholson went in together, found an inconspicuous corner, and watched the crew filming.

This is a scene where the Joker goes head to head with Batman.

Born as a child star, Bell, who has played the leading role in movies since 1987, was suppressed by Martin throughout.

Not to mention experts like Nicholson and Leonardo, even those extras can tell that the Joker played by Martin is much better than Batman.

The clown is evil, cunning, insolent, and almost crazy. His behavior is unimaginable, but it makes people feel extremely terrifying.

On the other hand, Batman has nothing but anger and violence.

Two characters, two actors, compete with each other.

Nicholson can be said to be the top acting school in Hollywood. It is not difficult to make a judgment, and there must be differences in roles.

The design and positioning of the character of the Joker in the script is better than that of Batman.

Martin the bastard's acting skills can't be ignored either.

The director stopped shouting, and Leonardo said in a low voice: "Martin was originally a bastard and a pervert, and now it's a true performance."

"He is a pervert!" Nicholson thought deeply, "Isn't a pervert kicking the ass of an old man who is nearly 70 years old?"

The filming continued, and the two closed their mouths at the same time.

In order to play the role of the clown, Nicholson read a lot of related DC comics. It was inevitable to compare the virtual and the real in his heart. He found that the character created by Martin was a step further than the clown in any comics.

At the end of the day's filming, Martin was not in a hurry to remove his makeup. He saw Nicholson and Leonardo between filming and went to find them.

He hugged Leonardo: "You should come here sooner or later, there is a good show to watch."

Leonardo asked: "See how you perverted the crew?"

Martin punched him: "Come early so we can set off fireworks together." He looked at Nicholson: "How about this clown character? Do you choose to continue the verbal fight, or to ease the relationship a little?"

"The director of the film crew wants to provoke me to continue arguing with you. Why should I follow his rhythm?" Nicholson looked at Nolan in the distance: "I'm not his marionette."

Martin understood what he meant: "Then let's ease the relationship a little?"

Nicholson said: "I won't be as sharp as before. Let's really reconcile and wait for next year."

Leonardo shook his head: "It's like the two of you are having an affair."

Not far away, Nolan, who was packing up his belongings, watched the bastard trio talking and discussing in the corner, focusing especially on Martin and Nicholson.

The screenwriter, whose sense of smell became sharper and gradually developed a super-consciousness, rushed to the vicinity early and made preparations.

He held the notebook in one hand and the pen in the other, waiting for the director's great summoning technique at any time.

Nolan was surprised that Martin and Nicholson didn't quarrel? It's not in his plan.

Could it be that the dispute between the two is only due to the roles, and there is no big problem between individuals?

Nicholson came to the crew today, watched Martin's performance and filming of the character, and approved of the role of the clown?

Although it was unexpected, this small problem did not bother Director Nolan who is good at making real tidbits.

He waved, and the screenwriter immediately ran over: "Director?"

"Write it down first, and use it as a draft for the time being." Nolan's inspiration broke out: "Nicholson accepted the invitation of Warner and DC to visit the crew. After seeing the role played by Martin with his own eyes, he was impressed by his extremely superb performance. It is a shocking role, so the conflict with Martin has also eased."

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