Director’s Legend

"The winner of the 78th Academy Awards for Best Director is... Li An, "Brokeback Mountain"!" \u003c—you!"

...First of all, I would like to thank two people who are the main characters in the film and they do not really exist. But, I should say they exist through the fertile imagination of us filmmakers, including Larry McMurty and Diana Ossana, and those two characters are Ennis and Jack.

"Brokeback Mountain" is not just about gay men or women, it's about love in a wider sense.

thank you all.

Thanks also to the American Academy of Arts and Sciences for this honor, and to everyone on the production team, especially David Schames, for your love and support. Thanks also to Bill Prader, Tori Mezgier, Ira Schrek, and Joe Dapero, and to my wife and my sons.

I love you all.

On Brokeback Mountain, I felt like you were with me every day. My father just passed away when I made this film, so I gave this film to him. Finally, I would like to thank my mother and family, as well as all fans in mainland China, Taiwan, and Hong Kong.

At the Kodak Cinema, Li An held up the Golden Image Award trophy high-spiritedly, and finally said in Chinese: "Thank you for your concern!"

Sitting in front of the TV in the office, Shao Shuaijun applauded sincerely. As a Chinese, it is an honor for a compatriot to win the highest honor in the film industry. Moreover, Li An has always been a staunch supporter of One China. Shao Shuaijun appreciates his talent and even more appreciates his sincerity.

"However, I also have to thank the State Administration of Radio, Film and Television for not approving "Brokeback Mountain" to be released in the Mainland. Otherwise, with the power of the Golden Image Awards, the impact on my film will be huge."

"Brokeback Mountain" was originally scheduled to be released on February 23, but because the subject matter was gay love, it failed to pass the review of the State Administration of Radio, Film and Television. Not only "Brokeback Mountain", this year's Oscar best film "Crash", as well as several other nominations, have no hope of being released.

Although Shao Shuaijun felt that this kind of protection mechanism was not necessary at all, he still behaved well if he got the cheap one.

While recording the recording, while engaged in creation, time flies by.

"33 Days of Broken Relationship" was released in the third week, or the fourth week to be precise, and the box office dropped sharply, but it still won the weekly championship, with a box office of 32 million, which proved that the charm of the movie has not diminished. The total box office has been successfully accumulated to 298.5 million yuan, and the movie still has a week of screening time, and it will soon break through 300 million yuan.

"Please let us call him the 300 million director! Shao Shuaijun!"

"Chinese-language movies have brought us the biggest gains this year. One is Li An, the best director of Oscars, and the other is Shao Shuaijun, the box office champion of Chinese movies."

"Zhang Yimou: I am very optimistic about Shao Shuaijun, his future is limitless."

The film has been released for three and a half weeks, and the box office is about to exceed 300 million. The media has gone crazy. The whole country is attracted by Shao Shuaijun's new movie "33 Days of Broken Relationship". Everyone from 70 to 80-year-old aunts, down to 78-year-old elementary school students has heard of " "33 Days of Broken Relationship", CCTV not only reported the movie on "Newscast", but also praised it on "Morning News".

According to Zhang Hongsen, starting this year, CCTV has reached an agreement with the State Administration of Radio, Film and Television to assist in the promotion of domestic films. And "33 Days of Broken Relationship" is the first movie to benefit. Of course, CCTV’s publicity will focus more on the main theme movies, and it’s more of a miracle at the box office that Broken Love can go up. Domestic movies need this kind of exciting booster to prove that the movie industry is getting more and more prosperous.

Of course, not all the media like to support Shao Shuaijun.

"Southern Metropolis Entertainment Weekly" took the lead in publishing an article of condemnation, penned by special writer Gao Linbao, strongly condemning "33 Days of Broken Love" for having an inside story, domineeringly monopolizing the film schedule of domestic theaters, 38% of the film schedule, almost broke A way out for other movies. In some places, movie theaters even exceed 50% of the film schedule.

Gao Linbao also listed that several movie theaters have already been covered by "33 Days of Broken Relationship", which is the movie from morning till night.

"This is a monopoly! The film bureau must introduce policies to curb this phenomenon. All colleagues should unite to resist hegemonic behavior and restore a peaceful environment for mainland films."

Gao Linbao, who had already made a big feud with Shao Shuaijun, was a black man for Shao Shuaijun all his life, and criticized Shao Shuaijun mercilessly in the weekly magazine.

I have to say that Gao Linbao chose the right time. "33 Days of Broken Love" is in the limelight, and it has also aroused the envy of countless people. With a box office of more than 300 million yuan, it is conceivable that those filmmakers who have made literary and artistic films for a lifetime and only make money without losing money, how jealous they are.

As a result, a mighty movement against Shao Shuaijun and the film monopoly broke out.

Tian Zhuang, a well-known fifth-generation director and former director of the director department of Nortel, said in an interview with the media: "The appearance of Shao Shuaijun is a retrogression of Chinese films. Indeed, "33 Days of Broken Love" has achieved some results at the box office, but Ideologically, it is empty and boring, with a strong petty bourgeois sentiment, which is a blasphemy to the art of film. Monopolizing film scheduling is even more strangling to other domestic films. Our directors who pursue art are born at a disadvantage at the box office. This is the way for art films to survive!"

Zhang Jian, who is also a director of the Five Dynasties and made "San Mao Congjun Ji", also said: "I don't want to make too many comments on "33 Days of Broken Love" in terms of commerciality and artistry, but I want to question the filming of the film. This is unreasonable, and this kind of behavior will definitely lead to the withering of domestic films."

Zhang Junzhao, one of the four men, followed closely: "Shao Shuaijun has a unique understanding of movies, but his commercial promotion methods are not appropriate, and he uses monopoly to make huge profits. This is a kind of behavior. Young people should learn to reflect, Hopefully he can face up to his mistakes."

Following these three five-generation famous directors, several producers and owners of several small film companies also attacked Shao Shuaijun and Dream Chasing Company in the media.

Afterwards, Feng Xiaogang, who has never been in the same pot with Shao Shuaijun, also said in an interview with reporters: "Young directors often have not experienced the heavy fate we endured when we were growing up, and do not know how to be grateful and humble. Put money on In the short term, this kind of behavior can indeed promote the prosperity of the film industry for a while, but it will eventually hurt the foundation of domestic films.”

"Famous directors of the Five Dynasties collectively bombarded Shao Shuaijun, calling him a cancer that kills Chinese movies!"

"Southern Metropolis Entertainment Weekly" published a special issue, and Gao Linbao once again slandered Shao Shuaijun in an arrogant manner.

dream company.

Yi Jianmei took a stack of newspapers and came to the door: "Ah Jun, if you are scolding Dream Chaser in the market now, this week's box office will definitely be hit, even if you can't even get 1.5 million! Don't It was a joke that broke 300 million."

Shao Shuaijun picked up a newspaper, looked at it, and smiled lightly: "A group of people who can't eat grapes and say grapes are sour, what a shame! Since they want to tell me the truth of life and death, they should talk about it! I usually Don't offend people easily, if you want to offend people, don't blame me for not being sympathetic!"

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