Galactic Garbage Station

At first glance, Su Shi’s paintings are messy and fragmented, just like a lot of rubbish. I will paint this for a while, but I will only paint a part of it, and it will be chaotic. However, when you look closely at Su Shi’s pen, everyone has to be surprised.

It is obvious that Su Shi did not deliberately paint something, but was learning various techniques.

The technique of Chinese painting can actually be understood as the method used by Chinese painters to use the brush, that is, the technique of using pens and inks produced by the brush. The ink method contains the techniques of color. In the development of Chinese painting, especially after the Yuan (the involvement of literati painters), the lyrics of Chinese paintings are becoming more and more concentrated. The meaning of Chinese painting is not a simple technical problem, but a synonym for Chinese painting. In the brush and ink view of Chinese painting, it infiltrates the spirit of Chinese painting. To put it simply, the brushwork of Chinese painting is composed of points, lines and faces, and the use of lines is the most important. The ink method uses the action of water to produce different changes of rich, light, dry, wet, deep and shallow. The method of writing lines in Chinese painting is called “using a pen”, and the method of painting ink in Chinese is called “using ink”. Whether it is a pen or an ink, it is broad and profound, and it can be divided into many different types.

For example, with a pen, there is a center, a side with a pen, the center with a pen to write a straight, the front of the pen in the middle of the ink line, the strength of the pen should be even, the pen is perpendicular to the paper, the effect is round and steady. The side uses the pen to execute the pen side, the pen edge is at the edge of the ink line, and the pen edge forms a certain angle with the paper surface. The force is uneven, the time is fast, the time is slow, the time is light, and the time is heavy. The effect is rich in hair and enamel.

It is also divided into a front and a counter with a pen. Shun Feng generally refers to the operation of the pen and the tilt direction of the pen, and the effect is smooth and straight. The back is the reverse of the stroke (that is, the habit of the opposite direction of the pen), the effect is dry and childish.

Also divided into front, scattered front with a pen, Ju Feng refers to the pen close together, a single stroke. The scattered front refers to the spread of the pen, which is multi-fronted (also known as "flowering pen"), and its effect is dry and varied.

In addition, the speed of using the pen will also have a great impact on the picture. When and how to use what kind of brushwork, what kind of effect is achieved, the ever-changing, the basic skills, the profound and profound.

In addition, the use of ink, Chinese painting in ancient times has a multi-colored ink, that is, black, white, thick, light, dry, wet six effects. The method of ink is to reflect the rich changes in painting, "the pen is the bone, the ink is the meat." Therefore, the ink method can be said to be a method of water use. According to the amount of water, we are divided into five steps: focus, concentration, weight, light and clear. Because the ink has new, old, old, and changed, the ink is divided into five categories: new, coke, sink, retreat, and ang. Due to the different treatment of the ink color, different images of the change of the ink are produced, which can be divided into five kinds of feelings: dry, dry, moist, wet and sturdy. In the brush and ink, the brushwork emphasizes internal force, while the ink emphasizes "living" and "changing".

Using the method of ink, the predecessors have a lot of experience, summed up, there are mainly seven methods: concentrated ink method, light ink method, Jiao ink method, ink ink method, broken ink method, ink accumulation method, ink splash method. Various ink methods are also ever-changing.

It can be said that Chinese painting is difficult to learn, and it is not easy to get started. Learning one of these basic techniques, I am afraid it will take a lot of time. If you want to learn all and integrate it, it will be even more difficult. I am afraid that after two years of study, progress will be limited. Su Shi is now using all kinds of techniques. Originally, I just started to learn, so I am so greedy, I am afraid I can't learn anything. But watching Su Shi, he used the center for the first time, may be insufficient, but the second time, it will become much better, the third time, it will be close to perfect, and then use, even without exception Hand in hand. The same is true of other brushwork and ink law.

That is to say, Su Shi looks at some messy things, but his various techniques are rapidly becoming more and more sophisticated at a very horrible speed. He uses various difficult techniques and he is easy to use.

"Oh my God, is it my eye? Splashing ink, he actually learned to splash ink in three or two?"

"We have learned all kinds of difficult techniques that we haven't learned for a long time. He actually learned it in three or two."

"God, look at the half of the mountain that he just painted. Is this painted by Chinese painting beginners?"

"He won't be a master of Chinese painting early, deliberately playing pigs here to eat tigers?"

Many people present at the scene felt that Su Shi was not a beginner, but a master of Chinese painting who had studied for a long time. He deliberately played pigs and eat tigers. He deliberately pretended to study step by step, otherwise it would be impossible. There should be no learning in this world. Chinese painting is so fast. Otherwise, this is simply enchanting.

Cheng Shiyao and Zhu Yan were very surprised. Huang Jinghong was slightly frowning. Su Shi was outstanding in other aspects. It was thought that at least in Chinese painting, he had the advantage, but now his self-confidence It was hit hard. Whether Su Shi is learning ability against the sky, or is a master of Chinese painting early on, the result is that Su Shi’s Chinese painting level exceeds him by minutes.

However, although Cheng Guyi was shocked, he believed that Su Shi was indeed a beginner. Every one of his paintings was to verify the question he had just asked himself. It seemed like a mess of paintings, but in fact, there was no waste of ink. . Cheng Guyi was in a thrilled mood. He knew that he had met a genius, a super genius, and a brilliant wizard.

In fact, it is true that Su Shi is a genius. Su Shi has several advantages that ordinary people do not have. First, he has long been proficient in calligraphy. He is a master of calligraphy. Although calligraphy can not be confused with Chinese painting, there is something in common with pen ink. A calligraphy Master, using ink with pens will be more natural than ordinary people; second, memory and thinking ability are far superior to ordinary people. He can remember every detail of every technique clearly, and when he writes, he will not scruple. I forgot that, all aspects, he can suddenly think clearly, is clearly a novice, but like a veteran, the pen has a good idea; third, his physical quality is far more than ordinary people, eyes, hands steady, quiet, think To write a micron, that is a micron, not half a minute, this control, let him control the pen. In addition, Su Shi is still a spiritual master. He can construct a picture by mental power and virtual structure, which can make each painting more fine.

Combining the above points, let Su Shi learn to reach the point where ordinary people can't match it. He is not only a genius of painting, but he is placed in all walks of life. He is a genius in genius.