My Little Mom is the Richest

Chapter 451 Kissing's Outburst

Looking at Kissin's performance, another person at this time had complicated eyes. He was known as the prince of Western pianos. He originally thought that he had surpassed Kissin.

Unexpectedly, Kissin has been playing from beginning to end. If it weren't for Mu Qiu's awakening, Kissin would not have shown his strongest strength until now.

At this moment, his score has been ranked in Levi's. Looking at Kissin's performance, the young man felt that the second place seemed unlikely to belong to him.

For him who has always been proud and arrogant, he couldn't accept it for a while. He originally wanted to prove it, but he didn't expect his opponent to look down on him at all.

At this time, the young man turned his head to look at Mu Qiu who was sitting there. At this moment, Mu Qiu lit a cigarette and sat there calmly puffing away the clouds, the latter still had a calm expression on his face.

"It's his turn to play soon. Kissing is so strong, isn't he nervous at all?" Looking at the face that was as calm as watching TV in his living room, the young man felt a little nervous. Can't help asking strangely.

He thought about himself again, and found that if it were him, in Mu Qiu's position, it would be absolutely impossible for him to be as calm as him.

Could it be that the awakening song was not Mu Qiu's full strength, and Mu Qiu still has a more powerful trump card hidden, but this is impossible at all.

If Mu Qiu knew, he would only say that the awakening was just a test of his own randomness, just like Ki Xin before, Mu Qiu didn't even use all his strength.

As for the trump card, of course it is the master's work, as well as Mu Qiu's most perfect piano piece, the piece that only Mu Qiu in the world can play.

With a few firm chords, the nearly perfect Chopin's "Waltz" finally ended on the lead note. Kissin raised his hands high, with a confident smile on his face. Very satisfied with the performance.

Looking at the audience applauding enthusiastically, Kissin was still a little excited. Although he had gone through countless concerts and was no longer surprised by such a scene, when he thought that this was the scene of the Masters Cup, he felt a little excited. The competition was for the world's top piano honor, and Kissin couldn't help but stir up waves in his heart.

"No matter how strong Mu Qiu is, the one who wins this time must be mine!" Kissin said firmly in his heart, and Kissin nodded to the audience, signaling that he would continue playing.

The applause and cheers gradually subsided, and countless focused eyes turned to the center of the stage again. People were expecting more surprises from this piano genius from Russia!

"Second. Scriabin's Etudes in Temporary Minor" reported Zi Gong's works, Kissing turned around and started his own performance again.

Sk? Yabin, one of Russia's greatest pianists and composers, and Rachmaninoff who once wrote "Elephant" are good friends.

Of course, his piano works have always been known for being mysterious and full of unconstrained imagination. Of course, the difficulty is absolutely top-level. It can also be said that he is a rare piano master in this world!

"Boom!" Suddenly, two dull engraved minor chords opened the curtain of this etude!

…two heavy chords. suddenly sounded. The sound of Steinway's "Light of Art" flooding the world, the heavy metal sound is like a heavy hammer, hitting people's hearts!

The etude in rising minor is one of Scriabin's most famous piano etudes. It is full of strong Russian heroism, and the accent on the left hand is still prominent.

Known as "Thor's left hand", the famous late Russian pianist Horowitz liked to play this piano piece the most in his later years,

In the National Theater of Moscow, he has played this etude many times. At the end of the piece, Horowitz's movements look more like percussion! The pure, heavy accent made many music fans mesmerized!

And now. Kisin, a famous Russian pianist of the younger generation. Once again, this famous etude was played in the World Piano Competition, which is attracting the attention of music fans all over the world!

above the stage. Under the illumination of the bright chandelier, Kissin's hands rose and fell in all directions in front of the piano. Especially with the left hand, every touch of the key is so powerful, and the strong tragic color makes many people's hearts tremble!

"This is the real piano art, and this is the music that can really shake people's hearts!" Listening to Kissin's performance, Istomin said with emotion.

He is also a pianist with a preference for Russian musical compositions. Whether it is the works of Rachmaninoff or Scriabin, he appreciates them very much.

If Istomin had always believed that the most classic performer of these works was the great Horowitz, now Istomin pays more attention to this young Russian pianist!

Although I have heard Kissin's video before, it is far less shocking than what I saw with my own eyes now! The feeling of the perfect combination of technology and art deeply attracted all his attention!

The other judges did exactly the same thing as Istomin. If Levi's performance in the morning conquered them with skill, then Kissin's performance at this moment. But it really touched them with the sound of the piano and the melody!

The strength of the ups and downs of the hands on the keys is getting bigger and bigger, and the shape of the hands is basically flat. Although this kind of hand shape is not very correct from the perspective of traditional academics, no one thinks that Kissing's hands are There is a problem with the type.

Not because Kissing is a good pianist. Rather, they know that this is exactly the hand shape that the late "Thor left hand" Horowitz used to play this work.

The practice of many pianists has also proved that this hand shape is the most suitable hand shape for playing this work. Because most of the etudes in ascending-sun tune are composed of chords.

Although there are also short-lived melodies, they are all used as passing and decorative cascades. Especially the octaves that protrude from time to time on the left hand part are completely continuous chords.

To play such a work, it is simply unrealistic to keep your hands in a motion like "holding an egg".

In fact. "Hold an egg", although many piano teachers tell beginners the "no two rules", but to understand it from the level of skills, this state emphasizes more on a "feeling" rather than really trying to understand it. "Catch" an egg.

What is this feeling? It is the feeling of "emptiness" in the palm of your hand. It is the hands starting from the palm joints, and at all times, it is necessary to maintain the feeling of the arc.

Even when playing octave chords with a large span, the hand shape looks completely "flat", but the feeling in the heart is still "empty". . ,,.

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