The Fantasy Entertainment Empire

In the end, Lao Zhong finally decided to accept Fan Zhe's invitation.

The first time he joined Dimension Entertainment, he entered the working state.

The theme of gods and demons, especially the original paintings, illustrations and concept designs of gods and demons with certain Chinese style elements, is his strong point.

He quickly took over a lot of original work from Fan Zhe, Fan Zhe also trusted him very much, and gave him the identity of the director of the art group of "Fantasy Three Kingdoms".

As a result, the company currently has two art directors, one is Mi Le and the other is Zhong Hua, and Fan Zhe does not intend to change this situation.

When Zhong Hua came into the company, he was always given a corresponding position. If he went to any digital art company in China, he could at least get a similar status.

But it is impossible for Fan Zhe to strip off Mi Le's director status, after all, he is an old subordinate who shares weal and woe.

As long as the current situation is maintained, anyway, the company's work unit also comes from the 'project team'. Two directors are two directors, not in the same project team, and there is no jurisdiction or power conflict.

After Zhong Hua joined the project team, he took over the image design work of all the characters and monsters in "Fantasy Three Kingdoms".

Apart from the part he can paint, his main job is to lead artists to create. He needs to guide the artists belonging to him to create, communicate more, and control the quality.

Of course, after Zhong Hua joined, Fan Zhe himself would not say that he would not care about art. He will still be very concerned about it, after all, this is the foundation for 'Dimension Entertainment' to settle down in this industry.

In fact, he still draws a lot of scenes and concept maps himself, and maintains communication with Zhong Hua and other artists in the team.

It's just that you don't have to worry as much as before, and the quality of the art works of the project team will be improved to a higher level. With the characteristics of the "dimension" system, this will directly feed back to the quality of special effects and calculation speed in the later stage.

...

Posting a picture through Fan Zhe's Weibo, he got a master. It was purely a surprise. Wu Jingtong's essential purpose was to promote the series of "Fantasy Three Kingdoms".

This series of conceptual setting drawings released through various channels has amazed many people.

Like this classic game that belongs to the memories of many people when they were young, after the baptism of many works in the past, when everyone heard that it was going to be adapted into a TV series, the first reaction was "to destroy the original work again".

When the project of "Fantasy Three Kingdoms" was first established, I heard a lot of arguments in this regard.

I don't blame the audience, it is indeed because the original work has been destroyed too much, so when people see this adaptation now, this is the first reaction.

Moreover, although Dimension Entertainment has accumulated a part of word-of-mouth through past works, most of their word-of-mouth is still concentrated in niche circles. Their works, even in the second dimension and in the animation circle, are not considered to have a particularly large audience, let alone put them on the audience of games and TV dramas.

But as more and more setting pictures were released, the situation has changed to a certain extent.

The setting diagram...it's so beautiful!

Especially the set of concept drawings of "Chang'an" made by Fan Zhe, even a top painter like Zhong Hua couldn't help but praise and marvel, which shows that this level is indeed very strong.

Of course, after the publicity picture aroused a lot of response and expectations, some people also questioned it.

A well-made concept map does not mean that the final work is also good.

In the face of doubts from all sides, Dimension Entertainment also calmly continued to put out various setting pictures, including the design of various scenes, as well as the shapes of various monsters and fairy demons.

The sense of anticipation was pulled up a little bit.

Not to mention anything else, at least the overall art concept design level of this show is invincible!

The ideas of many original book parties have changed with the release of various concept maps and original drawings.

It seems... this is really a work to look forward to.

Not to mention that the finished product completely restores the effect of the concept map, as long as it has some meaning, it seems to be worth a look.

Then, people who followed this incident saw another video of Tong Liya's interview.

This interview video was originally sent from a TV station's entertainment gossip program.

The ratings of the show itself were not good, but the video was intercepted and spread everywhere under Dimension Entertainment's own propaganda power.

The content of the video is just like ordinary stars who come out to promote their dramas. There is nothing special about it - except for the end, she mentioned a sentence.

Two pictures appeared on the big screen, one was Fan Zhe's concept design of "Big Han Chang'an", and the other was the concept illustration of the protagonist Chu Ge and the heroine Haitang fighting against a "Thousand Eaters".

The latter picture was drawn by Zhong Hua after he arrived, especially the image of a monster like 'Thousand Eater', which is exactly what he is good at.

The image of Thousand Food Ghosts is like an ape with a huge belly and three big mouths on the face. It is strong and scary.

Host: "This is the concept design drawing from your crew, right? It looks like the picture effect is outstanding!"

"In this film of ours, hundreds of millions of dollars have been invested in special effects. According to our director and producer, the goal is to completely restore the effect on the concept map, and it is only average, and there are even more gorgeous ones. More exciting places will surprise the audience.”

Tong Liya is the lead actress in this film. According to the contract, she is also responsible for cooperating with the crew in the pre- and post-stage publicity, which is not just as simple as filming.

The crew's propaganda arranged for her to say this, so that's all she could say.

Having said that, when Tong Liya was interviewed, she had doubts in her heart.

She is a practitioner in the industry, and as an actor, she also understands how expensive things like 'special effects' are.

I have filmed so many TV series, and none of them can really achieve this level. She knows how difficult it is and how much money it will cost.

Under the power of publicity, her last few short words in the interview caused a lot of repercussions.

Almost everyone must agree that the set of conceptual drawings of the "Big Man Chang'an" is indeed excellent; the illustration of the battle of the Thousand Eaters also looks very imposing.

All right.

However, through special effects, can the quality of the whole film be guaranteed to be above this level? Almost everyone thinks it's a bit over the top.

Quietly, a lot of black text appeared, criticizing Dimension Entertainment's recent high-profile publicity.

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Update: 8/10